Sorry, it's not a funny clip like when Father Carlos Las Vegas de Cordoba shows Navin Johnson underground footage of cat juggling in Mexico (thanks, paranoid losers at NBC Universal for removing the clip from YouTube).
Nope, it's how I shoot my pictures lately. I've had this urge to shoot film recently, and I've been doing so with three cameras: a Holga 120N, Ricoh 35 ZF, and Canon AE-1. And, of course, the Canon 40D still does most of the work. But I carry the Ricoh around with me during the day in case anything interesting reveals itself. And I'll see something that screams "Holga shot" and go out the next day to shoot it. The AE-1 has a roll of ASA 1600 Fujipan B&W film in it now for indoor use.
The cameras tend to collect on my mantle, mostly out of convenience so I can grab whatever camera strikes my fancy (I often grab two). But today has proved to be a tipping point — I scored three EOS lenses to test out over the next month. So now the mantle looks like this:
Even I can't live amongst such clutter. It shall be cleaned up this evening.
I've been testing out various films lately, and I plan to do a post about their pros and cons as I see them sometime in the future — I need to acquire a scanner that can handle transparencies first.
I got the first few B&W rolls developed at Stubblefield's Photo Lab here in Charlottesville. They do great work, and I really thought their scans were great. Then I had a roll of Fuji Superia and Kodak 400CN (the C41 B&W film) developed at CVS 1-hour photo and scanned to a CD. Not so good. It looked like they had Mr. Magoo hammering on the sharpening control in the scanning software. They weren't even email-worthy, but at least I have the negatives. And sorry, Stubblefield's, I'll never stray again.